Artist Statement
Fundamental to my practice is the notion that much of what happens in the world is governed by chance. I begin paintings with only a basic composition but no goal. I observe how my chosen materials interact with each other as I engage with the textures, colors and shapes that emerge. For me this mirrors the serendipitous and integral process that is life.
I am interested in how objects in the environment acquire and shed particular characteristics. How do people accrue and evolve personal traits? The layers of matter built up and worn away on a surface mirror the accumulation and loss of experiences and memories in the human psyche. While these processes appear parallel, all of nature’s materials are interdependent and constantly interacting. The material world is constantly informing and shaping our mental worlds and vice versa. I consider time a medium in which matter is serendipitously molded into unique bodies within ecosystems both in the world and in the mind. Wind, water and chemical elements collide and interact over time creating the layers of texture and color on the earth’s material surfaces. This is analogous to the personal interactions both nurturing and challenging that underpin human experience and contribute to a unique personality.
Though inspired by natural materials as well as organic and industrial decay, I avoid literal imagery. Ambiguity is fundamental to experience and allows the observer to become part of the piece. While primarily abstract there is an intentional terrain pareidolia. Through that perception the viewer is invited to access their own memories and associations regarding what they see. As they engage with the piece they exemplify the processes that govern our relationships with each other and with our environment. These pieces often suggest multiple perspectives. What is a close up rock surface to one viewer may be a satellite view of water to another. Like each observer, each piece is a unique microcosm. In the moment of observation they are connected and shaping each other. I invite the viewer to reflect on their own connection to the interdependent processes that govern our relationships with each other and with our ecosystem.
Perceptual in nature, these paintings are intended to inspire quiet experiential reflection which may be personal or touch on something universal. Each is a meditation on time and the mystery, spaciousness and rich accidental beauty of the natural world as well as its fragility.